CÃO

Passaram vários dias, sem que o meu cão ‘abrisse o bico’. Mas, de repente, ei-lo cheio de pujança. Entrou no escritório citando Lepecki (2006).

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-“This struggle for critical and theoretical authority defines the discursive dynamics informing the production, circulation, and critical reception of dance; it defines how in jornalistic dance reviews, in programming decisions, and in legal suits some dances are considered proper while others are dismissed as acts of ontological betrayal. To acknowledge that dance happens in this contested space clarifies how recent accusations of betrayal ventriloquize an ideological program of defining, fixing, and reproducing what should be valued as dance and what should be excluded from its realm as futureless, insignificant, or obscene. Meanwhile, dance’s ontological question remains open.” (p. 4).